As hopefully most people know, I regularly wear (and make)
kimono. Usually I use my job as an excuse (Japanese teacher!), but I often just wear them because they are beautiful. At the end of the day, they are just clothes like any other and there is no real reason not to wear them. Spoiler warning - this post is going to get into sewing in a bit of detail.
Anyway, I didn't bring any to Japan with me (which honestly made me a little sad), but I knew I'd likely pick up at least a couple, and I was intending to get some fabric to sew them as well. I have bought more than I thought I would, and also somehow been gifted an enormous amount of them too. I'll have to take some photos of the "haul", but I may as well wait until the end of our time... just in case I accidentally get another. In all honesty, that seems unlikely, but you never know.
My friend David who I went through uni with back in the day was in Japan for a month, and since he also sews kimono, we decided to meet up in Nippori (fabric town) and do some shopping. David also introduced me to a wholesale kimono shop owner in the back streets, that I'd never been to before.
It was the most Japanese shopping experience since we came in, shoes off and sitting on the tatami among the fabrics. We were given cold tea to drink (it was a hot day) and there was lots of chatting before the shopping actually began. The very lovely Murata-san (Mr Murata) gave me a full run down of the fabric and how you know it's authentic etc. I did already know this, but it was beautiful to hear him talk about his craft.
I was honestly so tempted by the designer fabrics but they were really too far out of my price range, even wholesale. Knowing I have a ton of blue yukata at home, and that I'd just bought some green ones, I was really intentional about looking for designs or colours that I didn't have, wanting to make a meaningful purchase. After much deliberation, I ended up buying two bolts of yukata cloth (yukata is summer kimono - light cotton fabric).
Then home with my prizes I went. There was no real rush to sew these, but Sophie was keen on one to match a cat obi that I had bought her. My plan is for the girls and I to wear yukata to the summer festivals (lost of people do). Given that summer was at least six weeks away, there wasn't a hugely pressing deadline, so I dallied with my cross stitch some more before I began.
Here is the cat obi with the matching yukata fabric. Red is actually a very non-traditional yukata fabric colour. People usually wear cool colours through out summer, trying to suggest that even though it's humid and hot, they aren't uncomfortably so. This is probably why I have so many blue yukata on hand. I loved the maple leaves on this one, in their pools of water, telling the world that even though it's red, we are still going to be cool.
I've made a stack of
yukata/kimono now (I think the count is up to 8?), but I still need notes to help me remember the measurements. Alas - I had not thought to bring them to Japan with me and they were trapped in Australia! Luckily I did remember most things, one of the yukata that I'd bought was also handsewn, so I could measure parts of that for reference, and there is a somewhat helpful
YouTube video by Billy Matsunaga that was also good.
Honestly, I feel the kimono is one of the oldest forms of
Zero Waste sewing that we have. The cloth is woven on a bolt that is exactly the right width and you adjust for size by having bigger or smaller seams. The fabric is cut into rectangles and there are distinct places (in the main body and sleeves) that you can hide extra fabric that could be let out later for growth or taken in. It's like magic.
Since I didn't have my full notes on hand, I did struggle with the cutting a little, and was a little unsatisfied with the outcome. Even though I spent at least two full days mulling over, measuring, re-measuring, writing notes, drawing diagrams and measuring again! That said, the end product has nothing wrong with it; it's all that it needs to be. I did have a square and a half of fabric left, but in hindsight, I think what threw me was that the more modern bolts are made wider (35cm instead of 30) and longer to accomodate people getting taller.
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Mostly done, just the sleeves and collar to go! |
Anyway, I triple checked all my pattern placement so there would be good visuals when it was done and got to sewing. Hand sewing that is. The whole thing. Don't think it took longer than a week, and I did stacks of the hemming and tacking down seam allowance while we watched the Eurovision semis and finals on YouTube.
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First fitting, wearing the obi that was closest rather than going upstairs to get the cat one. |
Sophie actually loves it, so that is great. After the first fitting (pictured above) I realised I sewed the sleeves on too short to start with, so I took them off and put them on again. One of them I put on inside out, so I had to take that off and put it back on again a third time. Goodness was that a frustrating (albeit short) delay. Then I borrowed an iron from a friend to give everything a final press.
Sophie humoured me a second time to put it on for "good" photos in the outside natural light, and Rachel decided to get in on the fun too. Can't wait to be wearing mine too as we eat kakigori (shaved ice) and watch fireworks in summer!